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The Laser Printmaker, SGCI Portfolio Exchange

3/6/2019

 
Picture
Picture
Picture
Picture
above: Monica Farrar
Picture
above: Noah Breuer
Picture
above: Roberta Restaino

Location: University of Dallas, Haggerty Lane, Irving, TX 75062. Upper Gallery, Painting/Printmaking Building

Organizer: Dana Potter, MFA candidate, University of Tennessee Knoxville

Statement: Postdigital, emerging technologies, and new media, to name a few, are vague terms used as catch-all funnels for print processes which incorporate laser-cutting, 3D printing, CNC routing, etc. The funnel metaphor, however, stanches fluidity between printmaking techniques and incorporated technologies. A re-imagined structure of these methods may be presented as tree roots with equal stems for laser systems as printmaking’s relationship with paper-making or book-arts. Laser technologies specifically build on similar conceptual questions brought up by printmaking: quality of technique, loss of aura in mechanical reproduction, the look and feel of the hand-made, and issues of physical and time-based labor.

Contributing Artists:
  • Miguel Aragon, artist
  • Denise Bookwalter, Director Small Craft Advisory Press, Professor, Florida State University
  • Noah Breuer, Assistant Professor, Auburn University
  • Tim Dooley, Professor of Printmaking, University of Northern Iowa
  • Monica Farrar, artist
  • Joseph Lupo, Professor of Art, West Virginia University
  • Conor McGran, MFA candidate, University of Tennessee Knoxville
  • Sarah Pike, Director of FreeFall Laser
  • Dana Potter, MFA candidate, University of Tennessee Knoxville
  • Roberta Restaino, Adjunct Instructor Printmaking and Foundations, University of Colorado Boulder
  • Hannah Smith, artist
  • Meagan Sterling, Professor, Westmont College
  • Aaron Wilson, Professor of Printmaking, University of Northern Iowa
  • Jonathan Wright, MFA candidate, Arizona State University
  • Sangmi Yoo, Associate Professor, Texas Tech University




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  • Portfolio
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